Garrett Zopfi : 2015 Ink Paintings

#19- rising tides
2015
Casein and India Ink on Bristol
12.5 x 4.25"

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com

#22 before the rain
2015
Casein and India Ink on Bristol
12.5 x 4.25"

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com

#21 paradigm break
2015
Casein and India Ink on Bristol
12.5 x 4.25"

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com

#20 regrowth
2015
Casein and India Ink on Bristol
12.5 x 4.25"

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com

Garrett Zopfi 2015 Ink Paintings Casein and India Ink

#12 far-reaching roots
2015
Casein and India Ink
9 x 5.5"

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com

#24 mountain growth
2015
Casein and India Ink
7.5 x 4.5"

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com

Garrett Zopfi 2015 Ink Paintings Casein on Bristol

#7 umbra
2015
Casein on Bristol
9.5 x 5"

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com

#2 heart of the forest
2015
Casein and India Ink on Bristol
9.5 x 5.5"

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com

#3 rising tides
2015
Casein and India Ink on Bristol
9 x 5.5"

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com

#5 offshoots
2015
Casein and India Ink on Bristol
9 x 5.25

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com

# 14 not far from the tree
2015
Casein and India Ink on Bristol
9.5 x 5.5"

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com

#18 climb up
2015
Casein and India Ink on Bristol
4.25 x 12.5"

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com

#13 return
2015
Casein and India Ink on Bristol
7.75 x 4.5"

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com

#11 jungle rustle
2015
Casein and India Ink on Bristol
3.5 x 5.5"

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com

Garrett Zopfi 2015 Ink Paintings India Ink on Bristol

#16 nightmare
2015
India Ink on Bristol
4.25 x 5.5"

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com

#15 Dunderbeck's monster
2015
India Ink on Bristol
4.25 x 6"

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com

Garrett Zopfi 2015 Ink Paintings Casein and India Ink on Watercolor Paper

#10 coconut palms
2015
Casein and India Ink on Watercolor Paper
7.5 x 4.5"

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com

#8 coconut palms
2015
Casein and India Ink on Watercolor Paper
7.5 x 4.5"

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com

#9 coconut palms
2105
Casein and India Ink on Watercolor Paper
7.5 x 4.5"

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com

#6 branching off
2015
Casein and India Ink on Bristol
9.5 x 5"

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com

Garrett Zopfi 2015 Ink Paintings Casein and India Ink on Arches Cover

#23 forest
2015
Casein and India Ink on Arches Cover
10.75 x 9"

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com

Garrett Zopfi 2015 Ink Paintings Casein, India Ink and Colored Pencil on Bristol

# 17 moon-gazing branches
2015
Casein, India Ink and Colored Pencil on Bristol
7.5 x 4.5

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com

Garrett Zopfi 2015 Ink Paintings Casein, India Ink and Crayon on Bristol

#4 restart
2015
Casein, India Ink and Crayon on Bristol
7.75 x 4.5

In this series, I investigated the traditional methods and visual language of two ancient mediums and synthesized my findings in daily paintings during the month of October, 2015. Casein paint and india ink have been used in image making since prehistoric times. The ethereal transparency of india ink and harsh opacity of casein create a tranquil conflict of opposites in the paintings.

Free Shipping. Paintings are sold raw. For matting and framing quotes, please contact the artist:
email: zopfig@gmail.com